[HISTORIES NOW]
The "Histories of Internet Art: Fictions and Factions"
web site is an online-only exhibition of the early (and continuous)
history of Internet art. Produced by students in the Digital
Art area located in the University of Colorado's Art and Art
History Department, and in conjunction with the Alt-X Online
Network, ATLAS and blurr, this ongoing exhibition showcases
a student-designed web interface that takes readers to online
art work created by both internationally celebrated and emerging
Internet artists. The site also provides much-needed original
content to help contextualize the sudden rise of Internet
art into the mainstream art world. Original content on the
site includes video and email interviews with many important
figures in the net art culture, explanations of current trends
in the field, and video documentation of visiting artists
joining us here at TECHNE. The site also features an area
devoted to critical theory and the history of digital art
as well as significant student work composed during their
course of study in the new Digital Art curriculum being developed
at CU-Boulder.
---- Mark Amerika
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Recommended
Viewing:
Email interviews with:
+ John Simon Jr.
+ Erik Loyer
+ Andy Deck
+ Young Hae-Chang
Video interviews:
+ Mark Napier (new version!)
+ Ben Benjamin (new version!)
Streaming Presentations:
+ Cory Arcangel (new quicktime!)
+ DJ Spooky
Student work:
+ "artist ebooks"
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[NEWS ITEMS]
||| TECHNE Faculty Director and internationally acclaimed media artist and theorist Mark Amerika has been named a Time Magazine 100 Innovator. His recent art project, Immobilité, is a feature-length film shot entirely on mobile phone and was featured at the Tate museum website and two solo exhibitions, one at the Chelsea Art Museum and the other at the National Museum of Contemporary Art in Greece. His recent book of artist writings is META/DATA: A Digital Poetics (The MIT Press)
||| Former TECHNE graduate student Rick Silva recently
won the top Graduate School Creative Work and Research Award at the
University of Colorado - the first time an art student has received this
prestigious award. Rick's work can be found here. Rick is now a professor of media art at the Alberta College of Art and Design.
||| "24 Hour
Count" - a new net art commission from the Scottsdale Museum of
Contemporary Art, featured DJRABBI, a digital art collective composed of TECHNE Faculty Director Mark Amerika as well as other students and colleagues in the Boulder-Denver area, has exhibited or performed their art in over 30 international venues. Check out their Society of the Spectacle.
|| Summer 2010: HIAFF new webmaster Tom Zamir took command of this virtual submarine. Tom replaces Wesley Willett who was named the University of Colorado Computer Science Department's outstanding 2006 graduate and is now at the UC Berkeley Computer Science graduate program.
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TECHNE Faculty Director Mark Amerika is about to publish a new new book titled META/DATA: A Digital
Poetics (The MIT Press, forthcoming Spring 2007).
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Alex Galloway introduces "Carnivore" at CU-Boulder.
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||| TECHNE VISITING ARTISTS
Participants in the TECHNE initiative are actively engaged in a dialogue
with a diverse group of international artists, theorists, and curators
whose research and creative development complement our own interests in
the evolving forms of digital art. Some of the guests who have presented
their work to students working in the TECHNE lab at CU-Boulder include Cory
Arcangel, Ken Wark, Christiane Paul, Paul Miller (aka DJ Spooky), Giselle
Beiguelman, John F. Simon Jr., Mark Napier, Johnny Dekam, Natalie
Jeremijenko, Mark Tribe, John Klima, Alex Galloway, Marisa Olson, Ben
Benjamin, Yael Kanarek, Randall Packer, and Lisa Jevbratt. Check out our
video and email interviews and watch streaming artist
presentations/performances in our "artists in sight" section.
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Paul Miller (aka DJ Spooky) mixing it up at CU-Boulder.
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||| TECHNE_STUDIO
TECHNE_STUDIO features a variety of online projects from Graduate and
undergraduate students developing new work in the Experimental Digital Arts
Studio (EDAS). This area of the site is neatly divided into five areas:
artist ebooks, curatorial objects, narrative objects, sound objects, and
idea objects. As part of their individual and collaborative projects,
students investigate a wide-range of new media forms and theoretical
topics including interactive storytelling, VJ performance, machinema, game
hacking, net art, new media theory and performance, code art, and
experimental ebooks. Our semester-end "happening" parties celebrate the
performative nature of the interdisciplinary and collaborative events that
take place in the EDAS lab.
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Scene from Erik Loyer's Chroma. |
||| IN NET PRACTICE:
The students in TECHNE are continuously building new curatorial projects to
reflect their interests in a varietry of net art genres. Since the genres
are known to mix and blur, the students come up with funky names to help
contextualize their own curatorial style. In "Net Practice," you'll find
collaborative projects with titles like Ambient Zones, Creative Mindshare,
(H)activism, Cyborg-Cellves, Digital Narrative, Metascapes, not.art, Image
Mapping, and GUI Art. In "TECHNE.studio," the curated exhibitions become
interesting net art works in their own right, and include show themes like
Art Offensive, Digital Memes, Game Over, Genetic Art, net/comix/art, and
Sex, Gender, Identity.
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Screenshot from electronic book review. |
||| IN NET THEORY:
What happens to practice-based research when it gets teleported to the
online space? Metamorphosis. Surf-Sample-Manipulate. Codework. An emerging
digital rhetoric that blurs the boundaries between net art, critical
theory, and electronic literature. Being a digital artist now means using
the net as both a compositional and exhibition medium as well as a social
networking tool. Here we explore the work of theoretical classics,
hyper/text/theory, open source information architecture, net art and its
exhibition context, and innovative multimedia interfaces that reinvent the
theoretical essay.
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